Update 12/25/21: Trish Hopkinson is author of three chapbooks and has been published in several anthologies and journals, including Sugar House Review, Glass Poetry Press, and The Penn Review. You can follow Trish on her blog where she shares information on how to write, publish, and participate in the greater poetry community at http://trishhopkinson.com/.
by Trish Hopkinson
You ask me to take the Christ costume
out of the closet. It’s been a year
since your consciousness went
missing—stunned out of you
into the road: collision of machine & boy,
no pulse in your wrists, your ghost
gasping. Crash doesn’t capture it: your halo
ringing as it bounced from gutter
to sidewalk, singing down concrete
end over end. I wonder, did you throw
your shoulder against your eyelids, wanting
to burst through those last slits
of light? Your recollection of this
is dead, as is the seven days
after. Yes, the neuro-surgeons were pleased
when you answered: your name, the year, but didn’t
know your whereabouts. You told us in nature, lying
hazily in chirping forest, or at a tattoo parlor
getting ink on your abdomen: the half-arch
of a rainbow. Sometimes, you’d remember
you’re in the neuro ICU & we’d
celebrate. Funny—the detachment of body
and brain. I smile when I see the party photos
you post online: you, dressed as Christ,
thorny crown, death metal makeup,
bottle of Hennessey in your hand.
First appeared in Tinderbox Poetry Journal 2017 (To hear Trish read this poem click here.)
Trish Hopkinson is author of three chapbooks and has been published in several anthologies and journals, including Tinderbox, Pretty Owl Poetry, and The Penn Review. You can follow Trish on her blog where she shares information on how to write, publish, and participate in the greater poetry community at http://trishhopkinson.com/.
It was from Trish that we first learned of The 2018 Poet Bloggers Revival Tour, and she was part of the inspiration for this interview series. Trish and Bekah were published together in Shabda Press’s Nuclear Impact: Broken Atoms in Our Hands in 2017, and Bekah was honored when Trish chose to read one of Bekah’s poems along with her own in a reading for the anthology. We wanted to know more about Trish and her work, so here is our interview with her.
Q~How would you describe your style?
A~My approach to writing poetry is to quickly write a first draft and then revise it a million times. I love workshopping and missed it so much after I graduated end of 2013 with my undergrad in English/Creative Writing I co-founded a poetry group called Rock Canyon Poets. We meet monthly to workshop each other’s poems, and we also have a private web site where we can do more of the same.
My poems vary in form, but are most often free verse. I’m a sucker for a great internal rhyme, a little alliteration, and how the words are spaced on the page. I like to play around with stanza length, caesuras, white space, etc.
Q~Tell us a little about the poem we’ve included with your interview. Is there a backstory you want to share?
A~“Resurrection Party” is one of several poems in my latest manuscript about my son’s recovery from a life threatening accident that occurred in 2015—he was hit by a speeding pickup truck in an intersection in downtown Salt Lake City while riding his bicycle to meet friends. The poem is a true story, and I love the way it shows his personality and creative spirit. Fortunately, he recovered almost completely, except for the loss of his sense of smell. The experience was the most difficult thing I’ve had to face as a parent. It took me a couple of years to start writing the poems and even then, these were the most emotionally exhausting poems I’ve written. I thought about what to write, how to write it, took notes, and considered whether to write them at all for months before drafting the first poem. Then, it took me months to determine whether a chapbook length manuscript on this topic would be the best fit. I’ve sent it out to several presses and contests, so we will see what happens next. So far, only two of the poems from the collection have been published. But, my son has read them all, shares them with his close friends, and heard me read several of them at multiple events. I love that he’s so proud of them and that he has an appreciation for my work and poetry in general.
Q~Your contributions helping other poets through your blog and social media were part of the inspiration for this interview series. What made you decide to do this work?
A~I’m so thrilled to hear that my blog helped to inspire your interview series! My blog really has been a happy accident. I originally created the site just as a place to post poems for others to read when asked about my work. As I started submitting and looking for writing resources online, I found that my blog was a good place to save them. Then I shared one of my posts in a Facebook group and received such positive response, I decided to keep sharing. I also noticed that in the writing community some writers are competitive—they don’t want to share opportunities for fear that someone else will be published or win the contest instead. It seems to me that poetry just does not get enough attention in general, and the more I can share, the numbers of poetry readers might just grow, which means a larger market for my work while supporting other poets along the way. I kept trying new things based on my own research, like lit mag submission calls, then interviews with editors, guest blog posts, etc. and continued to get more followers and great feedback. I’ve learned so much along the way and I’m still learning every day.
Q~How do you balance your time between your own writing, the work you do to help other writers and your life outside of writing?
A~This is a great question. I do have a lot of poetry projects going on, locally with my poetry group Rock Canyon Poets, Provo Poetry poemball machines, Poetry Happens (a monthly radio feature of poetry events in Utah), an annual community writing workshop, two annual anthologies, festivals, readings, open mics, the list goes on and on. And, of course, a full-time career in software product management, my blog, and my own writing. It’s a delicate balance to be sure. Ultimately, all the work I do for poetry feeds and supports my own writing practice as well. I’m continually learning, finding inspiration, and growing as a writer. Timewise, I focus a lot on efficiency, large blocks of time to work on specific projects or to write, so I’m not stopping and starting too often. And, I have a very patient husband and family, who let me spend hours in my office uninterrupted. They know how important poetry is to me and have been an amazing support system. I often combine poetry activities with other things—like weekend trips, family time, dinner before or after an event, etc.
Q~What is your local poetry scene like?
A~It’s growing! There are several open mics, lit mags and journals, bookstores, organizations, and events. I’m doing all I can to spread the word about poetry happenings and to involve the general public. That’s really what the Provo Poetry project is all about. It too, started on accident; my friend and co-founder Marianne Hales Harding had a couple of gumball machines and we thought, why not fill them with poems? We applied for a mini grant from Utah Humanities and now have four machines—one in a café, one in a bookstore, one in a radio station, and one we take to events. The machines have been successful enough to fund supplies, new machines, and even for an annual cash prize poetry contest. The coolest part is that the machines include poems from Utah poets—bringing new readers to poetry and supporting local, living poets. You can learn more about Provo Poetry on our web site here: https://provopoetry.org/about/
Q~There are lots of publications out there–many of which you have featured on your blog. What is a literary gem you feel deserves more attention? Why will we love them?
A~Sundress Publications is doing so much incredible work in the writing community. They have multiple programs/projects with opportunities for poets and writers, including Sundress Academy for the Arts, SaftaCast, Poets in Pajamas, and several literary publications: Best of the Net, Stirring, Rogue Agent, Pretty Owl Poetry, Agape Editions, cahoodaloodaling and more. Their staff are generous and wonderful to work with, and they don’t charge submission fees for regular submissions.
Q~What’s one piece of advice you want to share?
A~Most importantly, when submitting to literary markets, I encourage poets and writers to send to several (simultaneously if possible) and to not take rejection as a reflection of the quality of their work. There are many reasons why a piece may not be a good fit—maybe the topic has recently been covered in a previous issue, maybe similar work has already been accepted, maybe the piece doesn’t fit well within the aesthetic of the issue or collection, maybe they’ve simply ran out of room. If I believe in my work, I’ll keep sending it. One of my poems was rejected 31 times before being published. I’m sure that record will be broken in the future.
Q~What online resources would you like to recommend?
A~I have a list of my favorite “Writing Resources” links on my blog. You can find it by scrolling down past the Twitter feed on the right sidebar. Specifically, I love Entropy, The Review Review, Winning Writers, Authors Publish, Erika Dreifus, and Publishing and Other Forms of Insanity.
Q~Who are you reading now?
A~Most recently I’ve been reading Tommy Pico, Tracey K. Smith, Paisley Rekdal, and Lance Larsen. And, I’ve been completely addicted to the Commonplace podcast. It’s so fantastic.
Q~Where can readers go if they are interested in reading more of your work?
A~I post all my publications on my blog here: https://trishhopkinson.com/poetry/. I also sell signed copies of my third chapbook Footnote in my store here: http://trishhopkinson.storenvy.com/products. You can also connect with me on Facebook, Twitter, and Instagram.